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Martha Collins is the author of Day Unto Day (Milkweed, 2014), White Papers (Pitt Poetry Series, 2012), and Blue Front (Graywolf, 2006), a book-length poem based on a lynching her father witnessed when he was five years old. Collins has also published four earlier collections of poems, three books of co-translations from the Vietnamese, and two chapbooks (see Books and Poems).
Both White Papers and Blue Front won Ohioana awards. Blue Front also won an Anisfield-Wolf Book Award, and was chosen as one of "25 Books to Remember from 2006" by the New York Public Library. Collins' other awards include fellowships from the NEA, the Bunting Institute, the Ingram Merrill Foundation, and the Witter Bynner Foundation, as well as three Pushcart Prizes, the Alice Fay Di Castagnola Award, a Lannan residency grant, and the Laurence Goldstein Poetry Prize.
Collins founded the Creative Writing Program at UMass-Boston, and for ten years was Pauline Delaney Professor of Creative Writing at Oberlin College. She is currently editor-at-large for FIELD magazine and one of the editors of the Oberlin College Press. In spring 2010, she served as Distinguished Visiting Writer at Cornell University.
Collins' third book of co-translations from the Vietnamese, Black Stars: Poems by Ngo Tu Lap (co-translated with the author) was published in November 2013.
Admit One: An American Scrapbook, will be published by the University of Pittsburgh in 2016. Beginning with the 1904 St. Louis World’s Fair and highlighting other dates and events that extend into and beyond the 1920s, the book addresses racism, eugenics, immigration and other related issues through a collage of documentary materials and lyrical explorations.
Six sequences, each written during a single month, focusing on time, mortality, love, war, and other news of the world.
Black Stars, a bilingual collection of poems by Ngo Tu Lap, co-translated from the Vietnamese by Martha Collins and the author, was longlisted for the 2014 PEN Award for Poetry in Translation.
White Papers is a series of untitled poems that explore race from a variety of personal, historical, and cultural perspectives, questioning what it means to be “white” in a multi-racial society.